One Take Wednesday!

It feels awesome getting One Take Wednesday up and running again after FINALLY kicking this nuclear flu.

I wrote “Saint In Simple Clothes” a few months back. I couldn’t tell you what it’s about exactly, but I like the title and the lyrics are fun to sing. Honestly, that’s all that matters - what the fuck does “Smells Like Teen Spirit” mean, anyway?

There're a couple bridges floating around for this song, and I decided to use what I’ve dubbed the Shadow Bridge. Listening back now, I think I’ll sub it out for the aptly monikered Power Bridge when I record full-band, but given the solo acoustic vibes I dig the ominous, add9-y-ness the Shadow Bridge invites.  

And that’s why I love this project - the goal isn’t perfection, but rather the real-time exploration of creativity and sharing with people who watch as much Dr. Who as I do.

Here’s a link to the video

SAINT IN SIMPLE CLOTHES

slow down, in and around a bittersweet insanity

I know now why I never lie in threes

'cause one out of two will always bring them to their knees

I hope you will never be like me

a new game, one in the same, I don't know what's here for me

my own name lives on in anonymity

unless I change, and misdirect the mystery

not everyone is lost who wanders

I believe in the broken hearted silence of a man

I know that he's owed more than a broken promise

doing the best he can

I believe there's a restless warrior hidden in our souls

eager to fight for what he knows is right

a saint in simple clothes

my shadow and me

do battle in dreams

slow down, in and around a bittersweet insanity

not everyone is lost who wanders

Spin Classes

I was hanging out with friends a few nights ago - properly adult friends with stable careers and sensible cars - and the conversation ping-ponged between public vs. private kindergarten, aggressive vs. conservative stocks, and something called “capital gains,” which is clearly made up. Eventually, it’s my turn to contribute, and I offer what I believe is necessary and edifying cultural commentary - there’s this talentless ass-clown named Tekashi69, a shitty DMX ripoff who looks like a snow cone with face tats, and his videos have like 150mm views. How does this happen?! Isn’t new media wild?! 

Crickets. The conversation inelegantly segues to comparing spin classes.

These types of exchanges used to bother me, because what the hell am I doing, really? After all these years, I still don't have an answer. But I do know that the accumulated uncertainties, rejections and upheavals that fuel an artist's lunatic, peripatetic existence add up to my being happy. Weird, right? Am I a free spirit? Benignly sociopathic? A glutton for punishment? Probably a little bit of all these, on a good day. So, hooray! Today, I'm happy, and ideally that carries over into tomorrow. Hopefully this gives a new song permission to peak from behind the cognitive cloud cover and wave hello.

And I probably should join a spin class.    

Building Balance

There's a song on the new Al band record called "Building Balance," a super apt sentiment for all of us lately.

When you’re involved in a bigger project, your identity necessarily becomes wrapped up in that world. As the dust’s settled over the past few years, all of us have landed in similar places - grateful for every opportunity, proud of contributing to something that brings joy to so many, but aware that our stories can only be told in part through this band.

The upward momentum of a successful project's beautiful chaos to be sure, and it's easy losing the forest for the trees. The Allen project's a big-hearted goofy dude singing soul tunes, supported by a troop of kooky, mis-matched hooligans. It shouldn’t be any more complicated than that, and I've been guilty of leveraging unfair expectations on the thing because, well, I wasn't really doing other stuff. I'm grateful, now, for appreciating no one outlet, professional or otherwise, needs to have all the answers. When Allen's fronting the band and being one of the best singers of our generation, my job's playing guitar super cool every night. So, that's what I do, and I'd like to think I pull it off. When it's time to hit the stage solo, singing about my feelings, I leave all expectations from the Allen universe in the front lounge of the tour bus- it's back to rice and beans, grinding it out and the exhilarating unknown. 

Right now, I'm feeling contentedly unaccomplished - a happy place for any relentlessly creative person -  and I'm excited to see how all my artistic outlets feed one another.  

Just Believing's Enough

Someone asked me recently how she could support her fiancé, a “struggling artist."

I get what she's trying to say, but it's important understanding that, as artists, it’s in our nature to struggle, or more aptly endure. It's kinda the whole gig.  

Maybe the struggle’s just discovering a usable idea, or building an audience that requires more than two hands to tally up. Maybe it's getting a comma in the bank account. If we're lucky, we never run out of challenges.  

Throughout it all, the work sustains us - huddled over desks, teeth chattering from too much burnt coffee, pouring our hearts out on paper and weaving melodies through elusive chord changes. We’ll work shitty jobs, live in near squaller, withstand rejection after rejection, staying true to ourselves through shifting trends and fickle attention spans. We’ll tolerate good ol’ fashioned assholes misjudging their fifteen minutes as the new way of the world. We're maniacs, all of us.

Just tell us you believe in us. That's it. Creating’s a lonely job, and knowing someone believes goes a long way. No long speeches necessary. Just believing’s enough. 

The Legend of Zack Pancoast

There’s a lot of buzz here in Nashville over the new Kacey Musgraves record, Golden Hour, and for good reason - it’s an outstanding record from top to bottom, encouragingly melancholy, and if you’re looking for a review the internet’s full of ‘em. Go nuts, but be sure to listen to the entire record first with headphones before landing in a particular hipster camp.

It is, like I said, a great record, but what’s coolest for me is my pal and the assistant engineer on the upcoming Allen band record, Zack Pancoast, worked on Golden Hour. Zack Pancoast in one of the house engineers at Sound Emporium (my favorite studio in town), which means he’s been involved with every cool record that’s come out of Music City over the past few years. The man’s a ninja in converse, wielding his nerdiness with aplomb and effortless charisma. He’s one of those young, ambitious and gifted dudes who you know will be running this industry in ten years. I should’ve brought him a fruit basket or something during our sessions. 

Congrats, Zack, and the entire studio team - Golden Hour is an inspiring record. Kacey Musgraves and her band are fighting the good fight in Country music, and it’s awesome to behold. 

Embracing Absurdity

Touring isn’t about writing music or getting a side hustle off the ground - it’s all about the gig, staying healthy for the gig, kicking said gig squarely in the keister and moving onto the next town more-or-less in one piece. Even with tour buses, catering and other luxuries, being on the road’s about survival, and energy allocated away from that results in gnarly colds and generally soured dispositions.

Time off the road’s different. You’re actually sleeping and, I dunno, growing vegetables? In this world of relative predicability and consistent nutrient intake, writing a song a day’s a fine goal, as is getting that online store off the ground, etc. No longer in survival mode, time off the road’s best spent daydreaming, planning, and tackling things that require long and undisturbed chunks of time.

As artists, in our crazy highlight reel and FOMO fueled world, it’s easy thinking the grass is always greener. Yes, we’re on tour, but holy shit is this my life? I gotta do this that and the other thing, like, right now, before I’m 40, because life hits a brick wall at 40, right? Before you know it, the tour’s wrapped without your having made any professional contacts, eaten a single piece of Nashville hot chicken, and you’ve probably gotten the entire touring party sick.

Similarly, we all get itchy feet when we’re off the road for any amount of time over, say, fifteen minutes. We were busy before, but will we be busy again? Rather than focusing on creative outlets or business opportunities (ideally they’re one in the same) outside our main gig, we stew in under-furnished apartments, yearning for the tour bus bathroom’s acrid embrace. Before you know it, it’s time to hit the road again and you never got around to recording those solo tunes. 

Ours is a demanding and generally preposterous business, as anyone who’s experienced friends and family’s disheartening bewilderment can attest. It’s on us, then, to embrace the absurdity. The alternative's YouTube conspiracy theory rabbit holes and excessive carbohydrate intake, which admittedly doesn't sound too bad, but on balance I'd rather be kind to myself and content with where I'm at.  

Fast or Slow?

I participated in an industry panel a little while ago, and the discussion culminated in a rapid fire question round - you know, “Beatles or Stones,” “Fender or Gibson,” that kinda thing.

The final question, though, was pretty compelling:

Fast or slow? 

In telling fashion, I paused for a moment, mulled my answer over, and settled on “slow.” I was the only panelist to answer in this way, and I could hear recently filled Adderall prescriptions rattling in the designer handbags of flabbergasted go-getters. 

For the sake of those sweating profusely from socially acceptable amphetamine addiction, I elaborated:

I interpreted the question as “distracted versus intentional” because, as artists, that juxtaposition is far more apt to what we deal with every day. Busy - ie fast - is the new normal - for all intents and purposes, we all have demanding careers, family lives and diverse interests. If we want to create and share the best art possible, then, how do we make it happen?

The best art manifests when we take a moment to breath, quiet our minds and infuse lyrics, melodies and chords with the beautiful chaos of our lives. And that requires slowing down. That requires intention. Perhaps it’s best not vice gripping the utility out of every waking hour - ostensibly "crushing it" - and instead cultivating an environment where we can put forward our most holistic selves.

I doubt I’ll be asked back to this particular panel, but I was a force for good in the world, if only for an afternoon.

Astounding Improbabilities

I’m being gentle with myself today, no longer sick but still recovering from this month-long flu, so even though all the world’s problems are clearly mine to solve, today’s not the day. I’m allowing myself to be thankful - for not feeling like death, still writing this newsletter everyday, and generally being a whole lot better off than most. 

I’m thankful for where music has taken me. Here I am in Bali, in between Australian and European tours a couple years ago. Before entering the seaside temple, you must first be cleansed (hence the wet hipster fedora) and blessed (the flower and rice). As artists, when the stars begin aligning for the first time, I think we all struggle with a certain amount of Imposter Syndrome - so used to slogging through the mud, we regard any sort of cleared path as a fraudulent golden ticket, and it took me years to trust that the rug wasn’t about to be yanked out from under me. These days, I still deal with my fair share of existential dread, but it’s mollified somewhat by my appreciating the astounding improbability that I’m me at all and not, say, one of those creepy hairless cats.

I’m grateful when times are good, endure when they’re bad, and when preposterously lucky circumstance allows, cheers the setting Balinese sun to my miraculous, non-feline-being existence.

Jude Law And I Are Not Societal Equals

Jude Law and I are not societal equals. 

In any other circumstance, my standing this close to Naomi Campell would result in her thick-necked Chechnyan security guards directing underlings to “release the hounds.” 

Every once in a while, my job bellyflops me unceremoniously into the land the of the 1%, and after stuffing my face full of shrimp cocktail I’ve found it’s best making a hasty exit before it’s revealed that I don’t own, well, anything, much less the latest Tesla.

In this particular case, it’s myself, the aforementioned Jude Law and Naomi Campell, The Guy from One Direction and their respective security details, standing in a line, arms over shoulders, swaying along with classic after classic at the Stevie Wonder show in Hyde Park. On this evening in London, each of us is transported to our respective happy places where these songs comprise the soundtrack of irreplaceably magical things. 

The Allen band played earlier in the evening, which is why I’m hilariously juxtaposed against people who moisturize regularly, but the thing about great art is it levels the playing field. It doesn’t matter if you’re, hypothetically, a mostly broke, entirely unknown musician just trying to punch his way underwater, or a global superstar - when we heard Superstition for the first time, it changed us. Great art makes us realize that, regardless of tax bracket, societally pressured gluten intolerance or whether you’re motoring triumphantly from A to B in a brand new Mercedes or limping between less fashionable letters in a fifteen year old Corolla, we’re all ultimately the same - we want to love, be loved and feel like we’re contributing to something greater than ourselves. 

Jude Law and I are not societal equals, but Stevie Wonder renders us both childlike and unencumbered. There's hope for us, yet.  

Choices

“Stevie Wonder is cool” is the least controversial statement ever written. There ya go, I’ve done it. You were curious why you subscribe to this newsletter? Well, now you know. 

With the Allen project, we've had the pleasure of sharing the bill with Stevie three times, the first of which being in a literal Roman amphitheater in Southern France. What a life changing experience that was. I mean, it’s a list as long as my arm all the ways that sharing a bill with Stevie Wonder is life changing, but what stands out the most as I’m writing this is how he made time for EVERYBODY. He was the first one at soundcheck. Management delayed doors because they literally couldn’t get Stevie off the stage - he was having too much fun, assing around with his pals, jamming through classic after classic, improvising chord changes for his freaking VOCAL WARM-UP that would be career defining discoveries for most songwriters.  

After the show, a nearly four hour extravaganza, Stevie hung backstage for another two at least, shaking every hand, posing for every picture, never once raising his voice or betraying an ounce of resentment. He wanted to be there, and you were important. Genuinely.   

Arguably the greatest living songwriter and inarguably the transcendent voice of our time is also the nicest and most patient artist I’ve ever met. I’ve never met Paul McCartney, the one living legend I’d put as Stevie’s equal, but I’ve heard it’s the same vibe. These guys are two of the most significant figures of the 20th century, as famous as human beings get, and they’ve both made a conscious choice to, well, be cool. And it really is a conscious choice, because I’ve seen first hand just how bananas Stevie Wonder’s day-to-day is and, let me tell you, even if you’re gifted with the disposition of Buddha on quaaludes, there’s more than enough going on to make you want to light catering on fire.

I suppose I’m relecting on all this because, as artists, we all have choices - to embrace change within our industry, to feel pride for simply having sat down to write, to acknowledge how unicorn-rare it is that there’s a tour bus for which we can forget the door code. And we can choose not to beat ourselves up for having a day where it all falls apart and we feel like quitting.

We can choose to believe in ourselves and our art. We're all worth it.

More Lucky Than Tough

I've spent the entire month of March traveling with the flu, never having adequate recovery time and generally being reckless with my physical health. I went to the hospital a couple days ago for some IV rehydration therapy, and the doctor was astounded by everything I've pulled off recently, impressed I think by my performing as sick as I was but also admonishing me for being out in public in the first place. I've been way sicker than I've allowed myself to acknowledge - it turns out I've put myself in some borderline dangerous situations and easily could've wound up in the hospital with more serious complications. I've been more lucky than tough. 

The upside of being this sick is I've taken several long, hard looks in the mirror, and I'm recommitted to a healthy diet, consistent fitness regimen and general "health first" mentality. I come from the kinda punk rock ethos of throwing nebulous exuberance at a thing, confident I'll eventually wear the thing down. This is good when you're in the early stages of your touring career for example, eating bologna out of the packaging and "showering" in a rest stop sink, but not so great when a little common sense is all that's needed to keep you out of the goddamn hospital.

I'm excited to see how healthier decisions will impact my creativity. It's all about making good art after all, and I feel myself entering a prolific chapter.  

Mike Hicks

I can tell it’s almost time to end my self-imposed quarantine - my mind’s starting to explore truly asinine insecurties. For example, in high school I used to be able to dunk a basketball. Like, in a game. I can no longer dunk a basketball (I'm pretty sure I pulled a hamstring just writing this sentence) and last night this was genuinley keeping me up. I eventually settled on opening for Stevie Wonder as an acceptable exchange for losing some hops, so life's not all bad. It is, I think, time to be around other people.

Which is fortutous, because tomorrow night’s Sunday Night Soul features my incredibly talented pal Mike Hicks. Mike’s day job is playing keys for Rascal Flatts, which is one hell of a day job, and he’s truly a renaissance man - a soul dude through-and-through, one of the most gifted keyboardists on the scene and an inspired poet. Mike’s schedule is, to put it lightly, demanding - he doesn't play solo often, and I jump at every opportunity to catch him doing his thing with his band. Tomorrow night’s going to be special, and I encourage all Nashvillians to swing through the 5 Spot and check out the Master in action. You'll never want to practice more in your life. Music's at 6pm.

Stick to Your Schedule

I’m sitting in my house under self-imposed quarentine, having been sick for the entire month of March and committed to not doing a goddamn thing until I’m 100%. Being sick for a solid month’s obviously annoying, and for me unusual, so I’m taking this opportunity to turn the microscope inward and see what needs improving. In being Woody Allen-level frail these past few weeks, what’re my body and mind trying to tell me?

I’m reflecting on my tendancy to work myself into an unproductive heap of uselessness. Like I mentioned in a previous post, obsession for me’s an ill-fitting pair of trousers. Rather than inspiring me to greater artistic heights and Mt Olympus levels of desireability to the opposite sex, I’m typically reduced to a weeping shell of a man, about as creativly mertititious as a particularly uninpsired banana slug. But what I am intrigued by, and what seems to work for me, is compassionate disclipine, and today I’m thinking about sticking to one’s schedule, even in small ways.

This ressonates especially while sick. Don’t have enough time (or aren’t well enough) to do a full workout? Take a walk. Don’t have enough time to write an article? Write a paragraph. Don’t have enought time to do yoga? Take ten seconds to breath. Individually, these each feel pretty insignificant, but it’s the cumulative impact of always sticking to your schedule that carry’s one over into long-term success. And, in my current state, there’s still plenty of time and energy left over for sleeping, binging Futurama and making Greg’s chicken soup (recipe to be shared in a future post). 

Life happens, but find a way to stick to your schedule, no matter how humble.

L-A-X! L-A-X!

I’m sitting at Prism Coffee in K-Town, killing time before my flight back to Nashville. An angry bluetooth headphone guy sits across from me, a stereotypical thirty-something tech start-up kinda dude clearly Adderalled to the gils.

“Ok fine, so I guess I’m on blast for everything. I GUESS I’M ON BLAST FOR EVERYTHING.” He abruptly shifts gears, pleading, “YOU STAY RIGHT THERE! RIGHT THERE, YOU HEAR ME!”

I don't know this guy's deal, but I do know that innocent men rarely wear sunglasses indoors, or that much cologne. This exchange would be exponentially more alarming in say, Des Moines, but this is LA, the land of the Adderall Douchebag, and as I’m bouncing in a Lyft towards the Worst Airport in America, my attention shifts to not vomiting all over myself and I forget about the angry bluetooth headphone guy.  

My Lyft driver’s also classic LA, which is to say he’s hyper-aggressive while having no idea where he’s going, so by the time we arrive at LAX’s Terminal 4 we’ve explored every Inglewood backroad at ludicrous speeds and I’ve found and lost faith in God probably a dozen times. I collapse out of the Ford Focus unconvinced of the afterlife but overjoyed I’ll soon revive my beleagured corpus at the California Pizza Kitchen.

Medicore pizza on my mind, I’m walking and doing dumb phone stuff, which means I bump into a couple embracing and whispering sweet nothings. I look up to apologize and, holy shit, it’s the angry bluetooth headphone guy! No lie, it’s the same dude from the coffeeshop, and the woman in his arms presumably is the one putting him on blast. Did he actually race to the airport to catch her before her flight? Are they reconciling, like, right now? Am I witnessing an LA miracle?

I feel myself wanting to chant “L-A-X! L-A-X!” but I’m informed by a helpful business traveler that, “hey asshole, the line’s moving.” As I’m shuffling closer towards my guitar being mishandled, I’m thinking there’s hope in even the most broken of places. Here’s to you, angry bluetooth headphone guy. You're alright, I guess.  

Donna and Zane King

It’s a couple years ago and I’m new in Nashville. I’m back from another leg of the Never Ending Tour, hungover, feeling sorry for myself. There’s no food in the fridge, a lone mustard bottle standing guard over rotten eggs, and I self-sooth the way most vagabond hipsters do - pay outlandish prices for hipster tacos.

I slip past the host stand at Bar Taco and find an unoccupied bar stool, opting for limeade and tearing my cocktail napkin into tiny pieces of travel fatigue and existential dread. I’m not looking for conversation, but a smiling woman in her fifties sits next to me and observes “you must be a musician.” She says my Lagunitas hoodie gives it away.     

Her name’s Donna. She’s a successful songwriter in town and her husband’s a well-regarded steel player. She patiently nods along with my Story So Far, sensing it to be the well rehearsed small talk it is. Zane, her husband, mentions in a low-key Arkansas drawl he’s heard of my band. We settle into a familiar guitar nerd rapport while Donna surreptitiously picks up the tab. In subsequent dinners, they’ve never let me pay, despite my repeatedly insisting.

And so a life-long friendship’s born. Donna and Zane King, ladies and gentleman! Her chili’s revived me numerous times post-tour, and his pool sharking’s repossessed left over per diem more than I’d care admitting. Donna and I’ve written several songs together that are truly beautiful, and they’re the first people who made Nashville feel like home.

So, when in doubt, go out. Be detached and generally emo, but not so much that a smile goes unnoticed or a helping hand unclasped. We are all lost from time to time, then mercifully directed back on track by an unassuming angel’s nudge. 

Medicinal Cocktails

I’m mercifully back home in Music City, having survived another round against the benignly monikered portal to Hell that is the Los Angeles International Airport. I mean, it’s the major airport in the second largest city in America, and there’s exposed wiring, like, everywhere. Right at perfect kid grabbing height. Jesus Christ.

Anyway, that’s a post for another day. While not as sick as I was a few days ago, I am in fact still sick, which means it's a perfect 20 outta 20 for the month of March. So, I’m shutting it down for the rest of the week at least, gonna binge some shows and not leave the goddamn house until I feel like I can leap tall buildings in a single bound.

A friend suggested I try this medicinal cocktail, which I’ve been drinking throughout the day.: lemon, fresh ginger, tumeric, black pepper and cocnut oil.

I gotta say, it's really tasty. The lemon is a straight shot of vitamin C. Ginger supports the immune system and aids digestion, and Tumeric’s an anti-inflammatory (the black pepper activates it). Coconut oil is an anti-fungal amoung many other things, and I just like the taste.

R&R's hard for me, but desperately needed. Any other suggestions for tasty home remedies? Or TV shows to watch, for that matter? 

Day Jobs

It’s been an eventful ten days or so, many zany happenings and benign fever-induced hallucinations, but before diving into the highlights I’d like to share a recent conversation I enjoyed with a friend here in LA. She’s been struggling recently she says, forced to work at a restaurant again, feeling like a failure. If only she could play music full-time!

Firstly, there’s zero shame, ZERO, in working a day job. In fact, I encourage it. Trust me, there’s no quicker route to disillusionment than cranking out wedding gig after wedding gig, casino date after casino date, your energetic and creative reserves rapidly depleting, wondering where it all went wrong. All this, just to say you’re playing music full-time.

I never ask people what they do for a living. It doesn’t interest me, and I find those who are overly eager in sharing this information to be, well, douchebags. To me, there’s zero difference between slinging drinks, bussing tables or playing in the Allen Stone Band. The goal is making great art. Provided you're doing that, you're on the righteous path.  

When I lived in Seattle, I worked as a guitar instructor at an incredible shop called A Sharp Music Company. It was a sweet gig. I taught three days a week and made enough money to keep the lights on, so I was able to turn down bullshit gigs and focus on launching several spectacularly unsuccessful bands. I learned a lot. When the Allen project started picking up steam, A Sharp happily accommodated my loony schedule, and when the time came to jump on the Al train full-time in 2012 it was a stress-free transition. Had I felt the need to be a full-time performer right out of the gate, I doubt I’d have enjoyed the flexibility and financial stability to say yes to those early Allen tours when there was zero money. My life would undeniably look very different.

But the key is pushing yourself artistically all the time. Unrelentingly. When you're making great art, you care a whole lot less about how the lights stay on and a whole lot more about sharing your story with unfailing integrity. That's our gift to the world.

Performing While Sick

My streak of playing solo shows while sick remains unbroken! I’m nothing if not consistent.

Performing while sick is something every musician deals with. It’s easier when I’m just a guitar player - I can chill in the background, maybe two step a little and essentially disappear into parts I can play standing on my head. As a solo performer it’s harder, but my approach remains the same.

When I’m feeling under the weather during a gig, I never address it on mic. The thing is, people get it - everyone gets sick, and by offering a disclaimer you’re affectively saying, “Hey, that experience you thought you were gonna have? Nope. I’m taking that away from you.” People come to shows to be entertained, and that’s still our job, regardless of how congested we are. I remember catching a show by Daniel Johns (singer for Silverchair and a host of awesome solo projects) where he had a terrible case of laryngitis. He just went for it, vocal cracks and all, never addressing his being sick once. It was an inspired performance, exponentially more so because it was clear he was hurting but everyone still had permission to relax into the performance. 

So, I don’t say anything to the audience directly about my being sick, but I do have several cups of tea next to me. I find that sends a nice subliminal message of “Yeah, I’m under the weather, but it’s fine, let’s have a good time.” And, of course, we’re all capable of more than we think - I almost canceled my performance yesterday at Castoro Cellars but instead played four 45 minute sets. Take that, upper respiratory system!

Jessica Childress

My dear friend Jessica Childress put on an incredible performance last night at Castoro Cellars, supporting her recently released and obscenely good debut album, Days. Jess is easily one of my favorite people - brilliant, caustically hilarious and a winsome conversationalist. Along with Gavin DeGraw's drummer Mike Baker, also working for Greg on this event, I had the pleasure of taking a break from my line cook duties and joining Jess for a few tunes during her set - it warmed my heart experiencing her artistic growth first hand in front of a stunned crowd of unsuspecting R&B nerds.

Go to her website, listen to her music and be inspired.  

Be Inspired...

...by the Great Man himself, Greg Ehrlich. Today's insanely busy, what with staging the event and learning a bunch of music on the fly, but thankfully it really is true that a picture's worth a thousand words. So behold - What A Good Greg, in white tiger flannel, holding 10 pounds of goat's cheese. I've seen a lot of the world, and I can tell you definitely that it doesn't get much better.